Book Cover:
Book Summary: A revealing series of succinct narratives about some of the most visionary musical instrument makers in United States history. This informative resource describes eight different stories of musical innovation in America from electric guitars and drums to pianos and electronic organs.
APA Reference:
VanHecke, S. (2011). Raggin' jazzin' rockin'. Honesdale, PA: Boyds Mills Press.
Impressions: Susan VanHecke thoroughly describes eight selected musical instrument manufacturers from their youth through their success. As a series of informative narratives, this book is designed to take someone who may already have some knowledge of musical instruments to the next level to understand the commitment, innovation, and business savvy qualities of American instrument builders. I found the selection of individuals used as the focus of the book to be quite insightful. VanHecke makes a statement simply in who she picked to write the stories about. The instruments represented are cymbals, pianos, brass, guitars, drums, and keyboards. By selecting these instruments she makes the statement that these instruments would be the most appealing to young readers. She covers the essential makeup of modern music in America.
VanHecke takes the reader through a deep dive of information in the series of narratives. However, what the book measures in depth it lacks in breadth. This is not to say it doesn't accomplish its goal. The author clearly meant for the chapters to focus on one story at a time. However, this book should not be mistaken for a broad and shallow study of the musical instrument manufacturing industry as a whole. It is a deep and narrow study of individual people and companies in a biographical tone.
Phelan, C. (n.d.). Raggin', jazzin', rockin': A history of american musical instrument makers, by susan vanhecke|booklist online. Retrieved from http://www.booklistonline.com/Raggin-Jazzin-Rockin-A-History-of-American- Musical-Instrument-Makers-Susan-VanHecke/pid=4653788
Library Use: In a library environment students can work to identify additional instruments not included in this book. Instruments from around the world can be appreciated as well as their construction and role in modern or historical music.
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